You’ve received messages from people around the world seeking to replicate Casual Poet Library in their own neighborhoods. What do you think is the universal appeal of this library, and what advice do you offer to those inspired by this model?
I think the library offers a fresh way to rethink one of our oldest problems—how to connect with other people. Having your own shelf means you get to share not just your books but also pieces of yourself. It’s like sending messages out into space. We don’t know who’s at the other end, but we’re hopeful. We’re also a little desperate because we don’t want to be alone in the universe. In the end, our oldest pain is disconnection. The universal appeal of Casual Poet Library is that it helps people alleviate some of that pain.
How do you envision the concepts of ‘nurture’, ‘community’ and ‘third spaces’ evolving in Singapore? Are you noticing a shift toward grassroots movements or collective action? How does Casual Poet Library fit into this larger ecosystem?
I do sense Singapore is shifting quickly, based on the conversations here. There’s a lot of energy. Many grassroots projects are happening everywhere; the library is just one of many. I think people are realising they can take control and build things themselves and that the only resources they truly need are conviction, willingness, a few friends and time. Money, on the other hand, can always be found somewhere, somehow.
Special thanks to Ee Ming and Mekong Review for this interview and feature.